In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore ...(展开全部)

In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore ...(展开全部)

In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore ...(展开全部)

In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore ...(展开全部)

The lectures here collected between two covers do not form a consecutive discourse; with exception of the three Matchette Lectures, grouped under the general title of "Pivotal Concepts in the Philosophy of Art," these were all separate addresses (to which is added one published essay, "Abstraction in Science and Abstraction in Art"). Each lecture was given to a different audien...(展开全部)

韩炳哲（Byung-Chul Han） 德国新生代思想家。1959年生于韩国首尔，80年代在韩国学习冶金学，之后远渡重洋到德国学习哲学、文学和天主教神学。1994年，以研究海德格尔的论文获得弗莱堡大学博士学位。2000年任教于瑞士巴塞尔大学，2010年任教于卡尔斯鲁厄建筑与艺术大学，2012年任教于德国柏林艺术大学。 西班牙《国家报》（El País）誉其为“德国哲学界的一颗新星”。作品被译成十几种语言，在世界范围内引起广泛关注。 清新的文风，清晰的思想，深察洞识，切确而犀利的论述，让韩炳哲对于数字时代人类精神状况的批判，显得尤为重要且富于启发。

中国功夫之 基本中国拳法教程。 英文原版 1963美国出版。这是李小龙生前所出版的惟一一本个人专著，是唯一真正意义上的李小龙原著。出版这本书时，李小龙年仅23岁。 该书共97页，由李小龙挚友严镜海、埃德·帕克作序，同时，李小龙也作有自序一篇。书中前三分之一介绍了中国武术的流派概况、阴阳哲理与基本功训练（李小龙手绘动作图）；后三分之二则着重演示了“振藩拳法”的踢、打、摔、拿，动作照片由李小龙本人及其高足木村武之、严镜海、杰西·格鲁弗、詹姆斯·德迈尔等示范。 大凡武术宗师或武学名家都有专著出版的习惯。只有能打、能写、能教三方面俱全方可称得上真正的武术家，这也是一种理论水平、武学修养及写作能力达到一定水平的表现。 所谓的“能打”，在当时来说，李小龙所认识的人中已很难找到对手；至于“能教”，李小龙的武馆虽然规模不大却也管理得井井有条，且有向全美国大范围扩散之...(展开全部)

Every novelist's work contains an implicit vision of the history of the novel, an idea of what the novel is. I have tried to express here the idea of the novel that is inherent in my own novels. -- Milan Kundera Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially pe...(展开全部)